A well timed bunt can be one of the most strategic weapons in baseball. The art of bunting has not been perfected by too many. When a baseball bunt is placed in exactly the right spot, it cannot be defended easily if at all. Although it seems like something easy to execute compared to a full swing at the pitch, baseball bunting demands a lot of hard work to perfect and proves very difficult without the proper techniques.

There are several different types and causes for bunts. A batter can bunt to simply advance a runner over or it can be done to get a base-hit. When someone 'drag' bunts they are typically trying to get on-base, so they will show bunt at the last second to avoid tipping off the infielders of their motive.

When trying to move a base-runner it is better that you square up sooner because you are more likely to get the bunt down and it is necessary to execute the bunt properly, especially if a base-runner is stealing. Sometimes you can square up very early to draw an infielder in on a steal play. Excellent base-hitters can perform what is sometimes called a 'slap' bunt in which a batter displays bunt early and then draws it back at the last moment to hit away, ideally aiming at the infielder who was drawn in. When a batter squares at the last moment and makes contact all in one motion it is also sometimes called a 'slap' bunt.

The ideal direction of the bunt depends on the scenario, such as where the infielders are set up, runners on base, and how many outs. Under no conditions should there be a bunt to the pitcher.

Fundamentally, you want to have the bat square to the pitcher and as the pitch approaches, you either push a little bit or pull a little bit with your bottom hand to steer the ball in a desired direction. Your top hand should slide up just below the barrel with the bat resting on your fist and your thumb behind it giving support. Under no conditions do you wrap your hand around the baseball bat or put it on the barrel. The bat head should remain slightly up to prevent 'popping' the ball up. You want to be slightly hunched over and bent at the knees. The only adjustment to get to a higher or lower pitch will be made at the knees.